LGBT Characters: A Need for Representation

LGBT Characters: A Need for Representation

When I started writing, I made the decision to write LGBTQ characters into mainstream science fiction books as a reaction to the massive gap I saw in science fiction television shows and movies growing up in the eighties and nineties. (Sadly, I didn’t read much back then.)

  • Gay characters in Star Trek? Not until Discovery aired in 2017-18; not until they retconned Sulu’s story in ST: Beyond in 2016;
  • Gay characters in Star Wars? Hmmm…only if you gay-ship Poe and Finn;
  • Gay characters in Dune? Oh wait, but he was old and evil, arguably like every Disney villain; Jafar, Ursula, Hades, Scar, Shere Khan;
  • The SyFy Battlestar Galactica reboot? Yes, but the producers tucked the gayness away. You’d only know Lt. Felix Gaeta was gay and in a relationship with Louis Hoshi if you searched the Internet or watched the BSG webisode series.
  • Gay Superheroes? Not in the movies, but slowly arising in the comics and daring television shows. Yay!

This points to the question that burned in my soul as kid who watched these and other amazing eighties reruns such as Knight Rider, Airwolf, Buck Rogers, The Wonder Years, Growing Pains, Full House, and Family Ties:

  • Where were the people like me?
  • Why don’t people like me exist in the things I love, or, why are people like me portrayed as evil?
  • Why did I only read about people like me in M/M romance or erotica novels?
  • Why did I have to sneak downstairs in the late nineties to watch MTV’s Undressed to catch a glimpse at LGBT characters living seemingly normal lives in college and other young adult situations?

However, all was/is not lost.

The recent Doctor Who series and its spin-off, Torchwood, saw fit to include bisexual Captain Jack Harkness and his same-sex romantic delights for fans to enjoy. I was ecstatic! When David Tenant’s Doctor brought Captain Jack and Alonso together moments before he regenerated, I was bouncing on the couch with excitement. Then, newer shows like MTV’s Teen Wolf flipped the script and shocked me by providing its characters with a next-level LGBTQ environment: not one straight bullied or cared a gay student; rather, all students were accepted with complete equality regardless of whom they loved. I was finally seeing myself in mainstream characters portrayed in recent television shows and in movies, like Love Simon.

I’m thrilled to see more and more shows (Shameless, Sense8, and more) include a plethora of LGBTQ characters, and I truly hope this trend continues—but some areas of have much catching up to.

Alas, this brings me to writing quality LGBTQ characters. If the mega-studios won’t give me what I want, then I decided to write it for them and the others like me who yearn(ed) to have an LGBTQ superhero, an LGBTQ space marine, or an LGBTQ captain of a massive starship who live in happy, healthy, and challenging worlds and relationships. Because I strongly believes the real world we live in should be a place—like Teen Wolf’s setting—where LGBTQ equality and respect are second nature and never questioned, I choose to write this into my stories.

I still think there are too few examples of LGBTQ superheroes in popular media today, and most of those are retconned or made LGBTQ with new storylines. It’s not that I want television to into all rainbows and sparkly (though wouldn’t that be fun?), but I want equal airtime for LGBTQ characters. They don’t even have to bang—but knowing this superhero is fluid or that male captain has a husband would be fantastic.

Putting aside what the rest of the world does or doesn’t do, I set out to write my own stories, and this year, I’m proud to start sharing them with the world. In 2014, I started world-building for a series I’ve titled The Nitraxian Galaxy Saga, a massive, groundbreaking LGBTQ science fiction space opera. I’ve spent a lot of time world building, outlining, and organizing the characters and plots into an amazing story. In reality, this significant undertaking is the LGBTQ lovechild of Star Trek/Wars and Game of Thrones, allowing for equal page time for the main characters regardless of their sexuality. I wrote book one in 2017 and then set it aside to work on a project that would not leave my imagination alone.

In early 2018, I started—and am still—writing an LGBTQ superhero story set in Portsmouth, New Hampshire. The five-book Guardians Series is the story of gay student Quinn McAlester and his best friend Blake Hargreaves, high school classmates who acquire super powers through a freak accident. I didn’t set Guardians in a utopia of equality. Rather, using real-world situations, I flipped the script on acceptance and focused on Quinn’s coming out as a superhero to a town that refused to accept him and his gifts. I did this because there are still so many teens and adults who struggle with coming out despite the progress we’ve made as a country toward accepting LGBTQ equality and rights.

I encourage authors write well-developed LGBTQ characters because LGBTQ people enrich the world in so many ways and I want to see and read about amazing, wonderful, (and yes sometimes evil) people like me represented fairly in books. Though I am aware the wider audience still rejects LGBTQ characters (yep, I have one of those infamous 1-star reviews on a book) you can help enhance people’s perceptions and acceptance by writing wonderful and loving LGBTQ characters who show the world their true colors.

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